strange behaviors

Cool doings from the natural and human worlds

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    Every Creeping Thing: True Tales of Faintly Repulsive Wildlife: “Conniff is a splendid writer–fresh, clear, uncondescending, and with never a false step; one can’t resist quoting him.” (NY Times Book Review)

    The Species Seekers:  Heroes, Fools, and the Mad Pursuit of Life on Earth by Richard Conniff is “a swashbuckling romp” that “brilliantly evokes that just-before Darwin era” (BBC Focus) and “an enduring story bursting at the seams with intriguing, fantastical and disturbing anecdotes” (New Scientist). “This beautifully written book has the verve of an adventure story” (Wall St. Journal)

    Swimming with Piranhas at Feeding Time by Richard Conniff  is “Hilariously informative…This book will remind you why you always wanted to be a naturalist.” (Outside magazine) “Field naturalist Conniff’s animal adventures … are so amusing and full color that they burst right off the page …  a quick and intensely pleasurable read.” (Seed magazine) “Conniff’s poetic accounts of giraffes drifting past like sail boats, and his feeble attempts to educate Vervet monkeys on the wonders of tissue paper will leave your heart and sides aching.  An excellent read.” (BBC Focus magazine)

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Animal Music Monday: “Cantus Arcticus”

Posted by Richard Conniff on June 6, 2016

This is a good one to listen to at dawn, with your coffee. It’s also known as “Concerto for Birds and Orchestra.”  It’s a classical piece, about 16 minutes long.  Finnish composer Einojuhani Rautavaara wrote it in 1972. It features the calling of birds that Rautavaara taped around the Arctic Circle and in the marshlands of Liminka, Finland.

This is apparently from the liner notes, though I am taking it (with apologies) from Wikipedia:

‘The work is in three movements: The bog opens with a flute duet, after which the other woodwinds join in, followed by the birds. The second movement, Melancholy, features a slowed-down recording of the song of the shore lark. The final movement, Swans migrating, takes the form of a long crescendo for orchestra, with the sounds of whooper swans. At the end both birdsong and orchestra fade, as if into the distance.

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